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The elegant style of the Wei and Jin Dynasties, the elegance and high emotion
Classical furniture art pays particular attention to size and conformity. Among Chinese classical furniture, Ming-style furniture has clean and elegant lines, simple structural beauty, and is natural without complicated carvings or richness. Embellishment, authenticity, purity and tranquility. In the eyes of craftsmen, wood with thousands of years of spirituality is the condensed spirit of heaven and earth. It must follow the destiny of heaven and inherit the veins of the earth, that is, it must be different from top to bottom and have mutual qualities. It will not be forced, it will not be created out of nothing, it will be based on tradition and inherit the classics.
Implicit, astringent but not slippery
The deliberately carved themes of Chinese classical furniture are profound but not superficial, subtle but not obvious. Sikong Tu of the Tang Dynasty had an excellent comment on implication, not even a single word, but using the most fluent words. If you don't talk about yourself, you will be unbearable. There is a true master who rises and falls with him. Like a bottle full of wine, the flowers return to autumn. The techniques of shallow and deep gathering and dispersion, as well as taking and gathering, are undoubtedly extremely advanced realms.
Wang Yi WeChat landline. Mobile phone
Celebrate Mr. Wang Yi being named
Shandong Arts and Crafts Master
National Senior Arts and Crafts Master
China Redwood Culture Inheritance Master
br/>Founder of Wang Zuo Art Furniture
Vice President of the China Redwood Committee
Member of the Woodwork Culture Committee of the China Association for the Promotion of Culture
First prize winner of the 6th China Arts and Crafts Masters Competition
He is known as the mahogany culture wizard, the mahogany madman, and the first person in Shandong mahogany culture
Director of Shandong Arts and Crafts Association
General manager of Jining Fumin Machinery Factory
Jining Wangyi Culture and Art Museum long