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I wonder if anyone can still recall the last high note of the female version of Sun Nan in "Ten Years", a collaboration between Eason Chan and Han Hong.
Successful stunts often lead to the same destination by different paths, while failed stunts all have their own failures. Some failures are due to neglecting the coordination between the vocals and the accompaniment. When the accompaniment needs a sense of ending and a long-lasting atmosphere, it suddenly rises. Some failures are due to various abrupt changes in the arrangement and the arrangement, which makes the singers and musicians confused. Like at war. Some may also blame the failure of the arrangement, such as adding various unnecessary jazz elements to a pop song, and the result is that the final song is neither earthy nor foreign, and the jazz accent sounds like a street corner in the urban-rural fringe. New Year's Eve resident singing at the coffee shop.
As far as I often see scenes of excessive stunts in China, the following four situations usually occur.
, music talent show
There are many young singers who have good skills but want to show off too much. But relatively speaking, this is also the most forgivable category.
Collaboration with powerful singers
It also points to the situation. When Harlem invited Eason Chan to come to his "Music for You", the two may not have gone through too much. There were many rehearsals, but the two people's hard skills and musical literacy showed a harmonious atmosphere. (The music of two grown men)
Then, let’s look at the counterexample, the impromptu singing performed by the female version of Sun Nan and Huang Qishan back then... If you are interested, you can search it on Baidu. [Han Hong and Huang Qishan impromptu harmony on "Girl in the Flower House"] Pay attention to Huang Qishan's reaction...
, over-adaptation
A pop song self-righteously adds many unnecessary elements, but in the end it loses the temperament of the original version of the song, and the effect of the changes is neither fish nor fowl. As for examples, I won’t post the video. For those who are far away, you can watch Cao Ge’s various adaptations in his early years, and for those who are closer, watch the song “Youth Memorial Handbook” adapted by Wang Leehom.
, ethnic>/bel canto singers sing pop songs
or ethnic>/bel canto singers collaborate with pop singers to sing popular songs. For example, a famous domestic ethnic singer sang "The Night I Miss You". Except for singers such as Yao Beina and Tan Jing who can switch between different singing methods, it will always feel weird to sing popular songs using ethnic or bel canto singing methods.
Showing off skills has always been quite confusing for the audience. Sometimes, showing off skills can make some viewers suspect that the emotions are not sincere and that they value technique more than emotion; sometimes, it makes people feel that there is nothing to sing without good technique.
In fact, I think, let’s not talk about showing off skills. A singer who is up to standard can guarantee that he can really sing live, not be out of tune, make fewer low-level mistakes, and his works are also good, so there is no need for skills or anything like that. Too much to ask for.
After all, it is rare to find a beautiful singer with outstanding singing skills and dazzling skills, but it does not mean that he is not a good singer if he cannot show off his skills. And even if some singers show off their skills seriously, think about it first, there are more singers who can't even sing... at least those singers who show off their skills are still polishing their singing skills, right? Let’s focus on more pressing matters. Why do so many singers now make casual debuts without even being able to perform basic live singing?
This article is reproduced from Zhihu, author: Party Member Development Plan
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