Sterilizing tableware art style

believe everyone is familiar with sterilized tableware. The Qing Dynasty was an important period in the history of Chinese ceramics when a hundred flowers bloomed. This period integrated the artistic styles of porcelain from previous dynasties and generations for its own use. It was a masterpiece of porcelain production. era. Next, the editor will share with you the artistic style of sterilizing tableware. I hope you will like it.
The characteristics of the royal kilns in the Qing Dynasty made the production of sterilized tableware rely on the support of the emperor and the sponsorship of the national economy. It achieved brilliant achievements and created pastel porcelain that had an important impact on later generations of overglaze painted porcelain. , and used the pastel porcelain painting technique very skillfully, leaving a strong mark in the history of the development of Chinese arts and crafts.
The official system of the imperial kilns in the Qing Dynasty also established a bridge of communication between the emperor and the porcelain craftsmen, allowing the emperor's will to be better reflected in the finished porcelain products through the dissemination of official regulations. In the late Qing Dynasty, despite the political environment of internal and external troubles, the imperial kiln still produced many fine porcelain works for the royal family.
The official patterns and finished porcelain of Dayazhai sterilized tableware fired for the Empress Dowager Cixi in the late Qing Dynasty were studied. By analyzing the external artistic language of Dayazhai porcelain such as its decoration, glaze color, and vessel shape, it comprehensively applied art and literature. It analyzes the origin of Dayazhai porcelain and paintings and its artistic style using research methods such as science, sociology, and iconography, and deeply explores the various influencing factors on the formation of this artistic style, focusing on Empress Cixi, the owner of Dayazhai sterilized tableware. The influence of the Queen Mother's aesthetic taste on the artistic style of Dayazhai porcelain fully demonstrates the inevitable connection between painting patterns, finished porcelain and the monarch's aesthetic taste.
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