- 产地:
- 景德镇
- 包装:
- 安全包装
- 规格:
- 齐全可定制
Jingdezhen ceramics are famous all over the world, especially the glaze color that has been calcined in the kiln fire, like the flames of the scorching sun, the bright moonlight, and the clear spring water. Wonderland is sometimes a mountain waterfall, sometimes a mountain in the mist, sometimes like an endless sandbank
The beautiful scenery in life changes in motion, but the glaze of ceramics is the accumulation of generations of artists over thousands of years. It is their It is watered and calcined with hands, wisdom, sweat and even life, and it will last forever. It is said that Jihong was made by a beautiful girl who threw her body into the blazing kiln fire.
What a mysterious story, what a cause worthy of exploration and research! For many years, from Jingdezhen Laoyatan to the whole city, every time the kiln cart is pushed into the kiln, they are slowly being trial-produced from a piece of glaze fruit, a piece of feldspar, a piece of sorghum (raw material for ceramics), one tael of iron oxide, and two taels of copper oxide. The mystery of colored glazes is revealed. It turns out that glazes are made of different inorganic minerals, mud, metals, etc., through scientific preparation and repeated high-temperature oxidation flames or reduction flames. But matching the glaze is too troublesome. You can’t just bake it after mixing it, because there is another particularly important factor here, which is the role of fire. What kind of glaze should be used and what kind of fire is very particular? It is not like boiling. As simple as rice, the red glaze must be restored to its original position, and the green glaze must be properly oxidized. Faced with these ever-changing and unpredictable color glazes, Jingdezhen's traditional glazes are basically earthy gray before being fired. Only after high-temperature reduction and calcination do they turn into bright and eye-catching colored glazes. During the kiln transformation process, there are It has inevitable rules and its contingency. The effect of kiln transformation cannot be repeated. Of course, the firing of oxidized flame color agent glaze is not included here. Therefore, the glaze fired every time the kiln changes is different, which is called the unity of heaven and man.
What is the beauty of ceramic glaze? In terms of its external beauty, the kiln-changed glaze has a kind of magical beauty, which can turn the dusty mud into a radiant porcelain, with the bright beauty of blue and white glaze, and the gentle beauty of matte glaze. There is also the rough and thick beauty of matte glaze. In terms of the intrinsic character of the glaze, the color of the glaze can arouse people's emotions. The shadow green glaze gives people a feeling of tranquility, the red glaze gives people a feeling of passion and fire, and the flower glaze gives people a feeling of colorful and jumping colors. For this reason, many ceramic artists make full use of the inherent character of glaze when creating, so that the concept and theme of the work can be fully expressed, making the work not only beautiful, but also beautiful and culturally rich. This kind of glaze is very valuable. The stability and durability of glaze is the unique advantage of color glaze. No matter the color of oil painting, Chinese painting or paint, it cannot be compared with the uniqueness of porcelain glaze color. We can learn from the unearthed thousand-year-old ceramic cultural relics or from the seabed. You can see on the waterlogged ceramic vases that have been waterlogged for hundreds of years. Although they have been sleeping in the soil and sea water for hundreds of thousands of years, their glaze color still retains a brand-new color.
The 21st century is an era of highly developed science and technology. In the field of ceramics, there are endless varieties of glazes. In order to meet the needs of decoration, it is no longer limited to those ancient colored glazes, such as the white glaze of the Five Dynasties, the shadow green of the Northern Song Dynasty, the egg white glaze of the Yuan Dynasty, the Ji blue glaze of the Ming Dynasty, and the tea powder of the Qing Dynasty. Glazes such as Warm tones, cold tones, comprehensive tones, base glazes, top glazes and countless other modern color glazes, the variety is really rich.
No matter what kind of glaze it is, it all serves the artist's creation, starting from the content of creation, aesthetic needs, and the needs of society. In the scope of application, from ornamental art porcelain, practical daily-use porcelain, to architectural porcelain, different colored glazes are needed for decoration. Ceramic glaze has entered many different fields, exuding beauty in different spaces.
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