Product Details
.Fuzhou antique porcelain and antique appraisal
' , .Antique antique purchase antique jade purchase antique porcelain purchase antique antique appraisal
' , .Fuzhou antique agent: Manager Xie Contact number: Contact address: Cathay Building Building, Wusi Road, Fuzhou City
' ,
' , .Enamel-colored porcelain in the early Qianlong period
' , . The enamel-colored porcelain in the early Qianlong period is closer to the style of the enamel-colored porcelain in the late Yongzheng period, that is, in the pure filling The white glazed porcelain body is painted with meticulous paintings of landscapes, flowers and birds. Although the early Qianlong period included more figures, pavilions and other patterns than the late Yongzheng period, it was still a perfect combination of poetry, calligraphy, painting, seal seals, enamel, porcelain, etc. (From the perspective of the inheritance time of the Yongzheng and Qianlong dynasties, Emperor Yongzheng died in the Old Summer Palace on August 23, the 13th year of the Yongzheng reign. At the same time, there is also a record of the Qianlong Yuan Dynasty in the "Qing Dynasty Internal Affairs Office's Work Schedule" Information on the production of enamel-colored porcelain on the seventh day of the first lunar month of the year. Less than five months after the death of Yongzheng, Hongli had already begun to design and produce new styles of enamel-colored porcelain. It is conceivable that in just five months, It is difficult for the enamel work of Yangxin Hall and the enamel work of Yuanmingyuan to undergo significant development and changes in terms of human and material resources. Therefore, in addition to novel shapes and rich and diverse patterns, the products of the early Qianlong period also retain many of the production styles of the late Yongzheng period. The two have many similarities Point.
' , . , color
' , . The color characteristics of porcelain body painting enamel are difficult to express in words Description, so I will only briefly touch upon it here. When appraising porcelain, especially colored porcelain, it is quite common to identify the authenticity based on the color of the object. If you have never tried it before, you can accurately judge the authenticity at first glance at the color of the porcelain. Many laymen are surprised. The reason is entirely related to the appraiser’s understanding and habit of the color of porcelain. For appraisers who are accustomed to the color of genuine products and have a deep understanding of it, distinguishing fakes with significantly different colors is tantamount to distinguishing the obvious. It’s not just about being proud of yourself, but you are familiar with it. It is for this reason that how to successfully imitate the color condiments of enamel porcelain and confuse the appraiser’s sight and feeling has attracted great attention from ancient and modern imitators. Similarly, it is necessary to have a deep understanding of the color condiments of this period. Hair color is also something that an appraiser must master.
' , . , painting
' , . Now in Jingdezhen The biggest difficulty that antique porcelain makers encounter in imitating enamel-colored porcelain may be painting. With the gradual development of science and technology, the soil, glaze water, and color of porcelain can all be scientifically formulated based on the content of various elements obtained through scientific analysis of materials to achieve satisfactory results. Results. However, painting is not closely related to science and technology. It is entirely a reflection of the painter's level. When the finer requirements of gongbi painting are higher, the gap will be more evident. The quality and exquisiteness of enamel gongbi painting in the late Yongzheng period and the early Qianlong period It is particularly prominent in the entire history of enamel porcelain production, so the painting alone is enough to deter imitators.
' , . , signature
' , . The inscription on white-glazed enamel porcelain is very distinctive. Since the pattern theme is mostly composed of two parts: painting and written inscription (including seal seal), the writer must mark the direction of the inscription and the relationship between the two parts. The direction of a certain pattern is consistent and never deviates. The advantage of such inscription is that it makes people feel that the inscription is regular and orderly. Especially when you hold it in your hand and play with it, you will appreciate the most of the pattern and the painting. The two directions are consistent and comfortable. It should be pointed out that imitation Most imitators have basically noticed this when imitating enamel-colored porcelain, so there are almost no low-level mistakes in imitating the wrong direction of the inscription.
' , . , inscription
' , . Among the enamel porcelain of the early Qianlong period, inscriptions should be another difficulty in copying after paintings. According to historical data:
' , . On October 20, the ninth year of Yongzheng's reign: Treasurer Chang Bao issued an order: Make nine enamel gourds, paint spots on the gourd color, and plate the lid with gold. The words on the gourd are written by my imperial pen and Dai Lin.
' , . According to the analysis of this article: the person who inscribed the poems on enamel-colored porcelain was personally designated by Yongzheng, and the copy was written by Yongzheng's imperial pen. It can be seen that the inscriptions were also written on enamel on the porcelain bodies of the Yongzheng Dynasty. Meticulous. Whether this was the case during the Qianlong dynasty remains to be seen, but the level of rigor should not change too much, and it must be difficult for non-palace calligraphers to be competent. It is impossible for later generations of Jingdezhen craftsmen to achieve such a high level of writing, so they are naturally incomparable. Therefore, the imitation inscriptions on the current imitations are imitated and the strokes are rigid. The author has never seen any imitations that can reach an indistinguishable level in writing.
' , . , color ground and icing on the cake decoration
' , . In the late Kang Dynasty and Yongqian Dynasty, the porcelain body was painted with enamel The production process is immature and it is difficult to achieve the ideal glaze painting on the glass glaze. Therefore, unglazed porcelain has to be used, and other glazes are applied in large quantities on the exposed areas to make up for the defects of the plain glaze. As a result, almost all the enamel-colored porcelain produced during the Kangxi period and the early Yongzheng period were color-colored porcelain. The main feature of this type of products is that they are made of plain and unglazed porcelain bodies filled with white glaze after the mid-Yongzheng period. Occasionally, enamel porcelain with colored ground was made. The main purpose of using colored ground was decoration, not to cover up technical deficiencies.
' , . The icing on the cake (also known as rolling) is a further development based on the color ground decoration. It uses needles and other sharp instruments to carve and draw decorations on the color ground. According to the existing records in the "Manufacturing Work Schedule of the Manufacturing Office of the House of Internal Affairs of the Qing Dynasty", the use of icing decorative patterns on enamel porcelain began in December of the fourth year of Qianlong's reign:
' , . On December 17, the fourth year of Qianlong's reign: Eunuchs Li Shen and Zhang Xilai and eunuch Zhang Ming handed over a pair of enamel bowls with painted porcelain enamel on a red ground, a pair of enamel bowls with icing on a green ground and icing on a porcelain ground, and a pair of six-inch plates with enamel painted on a green ground. A pair of five-inch enamel plates with icing on the cake, a pair of enamel wine rounds with icing on a white ground, a pair of enamel wine rounds with icing on a white ground, and a pair of small wine rounds with icing enamel on a white ground. Order: Put the matching box into the enamel vessel of Qianqing Palace. Admire this. ("Qianqing Palace") According to the original data, the icing on the cake at that time included red, green, yellow, white, moon white and other colors.
Disclaimer
The information/pictures/parameters, etc. displayed on this webpage about【Fuzhou Horsetail Enamel Appraisal and Trading Organization】are provided by member【Fuzhou Antiques Appraisal Center
】，By Titker Trade Network members 【Fuzhou Antiques Appraisal Center
】is solely responsible for the authenticity, accuracy and legality of the information/pictures/parameters, etc.，Titker Trade Network only provides display services. For your safety, please choose Titker Trade Network for online trading, otherwise Titker Trade Network will not bear any responsibility for this.
If your legitimate rights and interests have been infringed, please contact Titker Trade Network customer service as soon as possible. We will serve you wholeheartedly. Thank you for your attention and support to Titker Trade Network!
Year1
WhatsApp
